Check the listings below for full details on performances at six neighborhood theaters.
Howard Theatre, 620 T Street NW
- Friday, February 08 : Avant.
- Saturday, February 09: EOTO + Crizzly.
- Sunday, February 10:Â Sunday Gospel Brunch featuring The Harlem Gospel Choir.
- Check theÂ calendarÂ for more shows.
Keegan TheatreÂ at Church Street, 1742 Church Street NW
- Cabaret runs through February 23: â€śStep into the Kit Kat Klub, a place teeming with seedy nightlife on the eve of Hitlerâ€™s rise to power in Weimar Germany. This eight-time Tony Award-winning musical classic,Â based on Christopher Isherwoodâ€™s BERLIN STORIES, depicts the interlocking stories of a cabaret singer, a writer from America, and the denizens of Berlin, all caught up in the swirling maelstrom of a changing society. LedÂ by the enigmatic Emcee, allow the denizens of Berlin to entertain you with â€śDonâ€™t Tell Mama,â€ť â€śMaybe This Timeâ€ť and, of course, â€śCabaret.â€ť (Keegan Theatre)
Lincoln TheatreÂ at 1215 U Street NW
- View theÂ schedule and purchase ticketsÂ online.
SourceÂ at 1835 14th Street NW
- Check the website for upcoming events.
Studio TheatreÂ at 1501 14th Street NW
- The Motherfucker with the HatÂ opened January 30: â€śJackie, out on parole and newly sober, is determined to start anew with his childhood sweetheart Veronica, but her unrelenting coke addiction, his slick-talking AA sponsor, and the discovery of another manâ€™s hat in his living room all threaten to derail Jackieâ€™s tenuous progress. With passion, profanity, and genuine vulnerability, Jackie and Veronica untangle their decades of codependence as they wrestle with the painful limitations of trust, desire, and rehabilitation.â€ť (Studio Theater)
Theater JÂ at 1529 16th Street NW
- Race, runs through March 17. â€śThe latest work by the Pulitzer Prize-winning author ofÂ Glengarry Glen RossÂ David Mamet, ruthlessly examines guilt, betrayal and racial posturing. Two male lawyers are called to defend a wealthy white client charged with the rape of a black woman, while their female associate betrays an agenda of her own.” (Theater J)