Check the listings below for full details on performances at six neighborhood theaters.
Howard Theatre, 620 T Street NW
- Friday, March 8: Peabo Bryson, Leela James & James Jamerson Jr.
- Saturday, March 9: Private Event.
- Sunday, March 10:Â Sunday Gospel Brunch featuring The Harlem Gospel Choir.
- Check theÂ calendarÂ for more shows.
Keegan TheatreÂ at Church Street, 1742 Church Street NW
- “A Behanding in Spokane” opens March 16.Â A mysterious stranger is on the hunt for his missing appendage, and two bungling crooks â€” and a hotel clerk with an aversion to gunfire â€” are caught up in his dangerous machinations. Scathing and hilarious, ‘Behanding’ is another dazzlingly macabre tale from the brilliant, twisted mind of Martin McDonagh. (Keegan Theatre)
Lincoln TheatreÂ at 1215 U Street NW
- View theÂ schedule and purchase ticketsÂ online.
SourceÂ at 1835 14th Street NW
- Check the website for upcoming events.
Studio TheatreÂ at 1501 14th Street NW
- “The Motherfucker with the Hat”Â opened January 30: â€śJackie, out on parole and newly sober, is determined to start anew with his childhood sweetheart Veronica, but her unrelenting coke addiction, his slick-talking AA sponsor, and the discovery of another manâ€™s hat in his living room all threaten to derail Jackieâ€™s tenuous progress. With passion, profanity, and genuine vulnerability, Jackie and Veronica untangle their decades of codependence as they wrestle with the painful limitations of trust, desire, and rehabilitation.â€ť (Studio Theater)
- “4000 Miles”Â opens March 20: “A compassionate and unsentimental drama about the life-changing relationship between a grandson who canâ€™t face his life and a grandmother who is starting to forget hers.” (Studio Theater)
Theater JÂ at 1529 16th Street NW
- “Race”Â runs through March 17. â€śThe latest work by the Pulitzer Prize-winning author of ‘Glengarry Glen Ross,’Â David Mamet, ruthlessly examines guilt, betrayal and racial posturing. Two male lawyers are called to defend a wealthy white client charged with the rape of a black woman, while their female associate betrays an agenda of her own.â€ť (Theater J)