From Cecile Oreste at danceDC
For Mid City Artist Peter Alexander Romero, nature is the main focus of his sculptures and paintings. The colors and textures found in the ocean, mountains and rivers all provide inspiration to the Dominican Republic native. Although his Caribbean roots are a strong influence in his work, Romero cites his visits to Hawaii as one of his biggest sources of inspiration.
Whether Romero is painting landscapes of the Caribbean or Hawaiian Islands, he is sure to use a combination of bold colors. “I’m not a soft palette painter,” he said. “I’m into the expression that color has to offer. It makes the work more interesting and dynamic. Color, movement, texture — that’s what I live for.”
These three elements can also be found in his sculptures, which often depict fictional characters. These people come from Romero’s imagination and sometimes are based on strangers he sees on the street. All are given their own quirky twist.
“The more you look at human faces, the more you see their imperfections. I use that asymmetry in my sculpture,” he said.
In addition to the visual arts, Romero has a great appreciation for the performing arts – particularly dance. Before settling in DC, he had a successful career as a ballet dancer. An injury eventually prevented him from performing professionally, but he was able to share his experience as a ballet teacher at the Duke Ellington School of the Arts.
Today, Romero continues to inspire students in the classroom as a ceramics teacher at the Fillmore Arts Center in Georgetown. He has also been an active member of Mid City Artists since the organization’s inception. For more information about Romero, visit www.romeroart.com.
Mid City Artist Profiles
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- Robert Wiener: From Accounting to Art Glass
- Mid City Artist Mike Weber is California Dreamin’
- Thomas Drymon: Showing the Hand in His Paintings
- Joren Lindholm: “Between Abstract and Representation”
- Dave Peterson’s Brand Mixes Graphics, Captions, Materials
- Glenn Fry’s Silkscreens: From the Fed to the Real World House
- No Regrets: Betsy Karasik’s Transition from Lawyer to Painter
- Cole’s Metal Sculptures Part of Dupont-Logan Landscape