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The Life of Pi and Django Unchained: An A+ and an F?

by Borderstan.com — January 25, 2013 at 2:00 pm 0

From Mary Burgan. Email her at mary[AT]borderstan.com.

moviefanAnyone who read The Life of Pi back when it was a best-seller in 2001 was apt to wonder whether the tale could ever be adapted to film.  Well, all praise to Ang Lee, the director of the current film; he has done the near impossible by bringing the novel to the screen.

In making The Life of Pi Lee has not only done the impossible, he has done it stunningly.  When you go, take the 3-D option; it’s really worth it for this film, where the third dimension really does occur! The images are beautiful and exciting.  They serve the fable far better than any animation could (though there is a lot of CGI* in the film).

Why Not More Awards?

There is also wonderful acting by everyone, especially Suraj Sharma, playing Pi as a boy, and Irfan Khan, playing Pi as an adult, and the beautiful Tabu playing Pi’s mother.  I was so taken by the film and these actors that I wondered why The Life of Pi has not received more awards.  Perhaps it’s the provinciality of Hollywood?  The film community out there can give a nod to Ang Lee because he has done some fine film-making, and his name is easy to pronounce.  But Suraj and Irfan and Tabu are more strange and so remain unknown?

But the movie that Ang Lee puts them in is far, far better than its publicity has been.  I put off viewing it till late because I didn’t see how the novel could be filmed.  And because there was so little splash around its launching.  But I finally went out of a sense of duty as an amateur film critic, and I am glad I did.  For me The Life of Pi is probably the best, most beautiful, most exciting movie of the year.

Why the Allure of Django Unchained?

As for Django Unchained I am at a loss to explain its allure.  It seems to be the favorite film of many critics and film-goers, despite its punishing length.  And it swept two major Golden Globe awards the other night.  I hated it, myself, but I wonder what I’ve missed in a film that seems to me to be a huge, steaming pile of self-indulgent sadism.

Why do I respond so fiercely to this, and other, Tarantino films?  Have I been too affected by the Sandy Hook school massacre, not to mention gun violence in our own fair city?  Am I too much a literalist, and too ignorant of the memes of Spaghetti Westerns to miss the rollicking satire of Tarantino’s carnage? (Am I using the word meme correctly, even?)

Or. . .am I just too old?  These are sincere questions, Dear Readers, so if you have an answer to them, would you let me know?  Just write a comment, and I’ll read it carefully.  And try to take it to heart.

*CGI means “Computer Generated Imagery.”  So there.

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