Check the listings below for full details on performances at six neighborhood theaters.
Howard Theatre, 620 T Street NW
- Friday, March 22: Loose Ends
- Saturday, March 23: James Cotton Super Harp
- Sunday, March 24: Sunday Gospel Brunch featuring The Harlem Gospel Choir.
- Check the calendar for more shows.
Keegan Theatre at Church Street, 1742 Church Street NW
- “A Behanding in Spokane” opened March 16. A mysterious stranger is on the hunt for his missing appendage, and two bungling crooks — and a hotel clerk with an aversion to gunfire — are caught up in his dangerous machinations. Scathing and hilarious, ‘Behanding’ is another dazzlingly macabre tale from the brilliant, twisted mind of Martin McDonagh. (Keegan Theatre)
Lincoln Theatre at 1215 U Street NW
- View the schedule and purchase tickets online.
Source at 1835 14th Street NW
- Check the website for upcoming events.
Studio Theatre at 1501 14th Street NW
- “The Motherfucker with the Hat,” last weekend, extended through March 24: “Jackie, out on parole and newly sober, is determined to start anew with his childhood sweetheart Veronica, but her unrelenting coke addiction, his slick-talking AA sponsor, and the discovery of another man’s hat in his living room all threaten to derail Jackie’s tenuous progress. With passion, profanity, and genuine vulnerability, Jackie and Veronica untangle their decades of codependence as they wrestle with the painful limitations of trust, desire, and rehabilitation.” (Studio Theater)
- “4000 Miles” opened March 20: “A compassionate and unsentimental drama about the life-changing relationship between a grandson who can’t face his life and a grandmother who is starting to forget hers.” (Studio Theater)
Theater J at 1529 16th Street NW
- “Andy and The Shadows” begins April 3. “A comedy about family with Freudian hallucinations and pre-marital angst, from Theater J’s Artistic Director and award winning playwright. Zipping from one rite-of-passage (and time period) to the next, Andy Glickstein is the filmmaking son of Holocaust refugees looking back at the wild weekend of his engagement to Sarah — as party plans fall apart; a famous film flop is hilariously re-made; duendé is discovered; and two vulnerable, differently indomitable parents and their pasts become more deeply understood.” (Theater J)